Press
POST MAGAZINE - Outlook: Digital Content and Real-World Views
MOGRAPH - Crafting a Map of Middle Earth with C4D and Leather
BEFORES AND AFTERS - Designing The Sacred Timeline in ‘Loki’
MOTIONOGRAPHER - Avatar & Black Adam VFX house, Cantina Creative, Opens Vancouver Studio
SCHOOL OF MOTION - Designing the UI of Tomorrow - Stephen Lawes of Cantina Creative
VICE - How the Fake But Really Cool Computers In Movies Get Made
STUDIO DAILY - Designing the Retro-Tech Look of the Future in Blade Runner 2049
ANIMATION WORLD NETWORK - Cantina Creative Goes HUDs Up for ‘Captain America: Civil War’
NOVEDGE - The Edge: The Iron Team of VFX Studio Cantina Creative
MAXON - Cinema 4D Fires-up Cantina Creative VFX Workflow on The Hunger Games: Mockingjay Part 2
HUDS + GUIS - Furious 7 by Cantina Creative
ADOBE - Cantina Creative, Setting the Scene
SIGGRAPH 2015 REWIND - Cantina Creative: Cinema 4D VFX for Avengers: Age of Ultron & Need for Speed
BUSINESS WIRE - MAXON Cinema 4D Inspires VFX and Animation Artistry on Avengers: Age of Ultron
MAXON PRESS RELEASE - Cantina Creative Gives Iron Man 3 A "Heads Up" With Maxon C4D
CREATIVE COW - Upping the HUD Ante with Adobe After Effects
DIGITAL MEDIA WORLD - Cantina Creative & Bandito Brothers Accelerate A True VFX/Editorial Workflow
"[Cantina] has carved out a niche in the Motion Design world and made quite a name for themselves along the way."
— Adam Korenman, School of Motion
